5-9 I call this kind of painting “complex” or “network” composition

I call this kind of painting “complex” or “network” composition; it interweaves abstraction and representation, the digital and the analog. All my paintings work against the unitary, using multiple parts or details that never create a strong whole. I want to ask: How can we bring complexity to a painting? How can we compose a painting of hybrid materials in time and space, as opposed to reducing it to “pure” painting or history painting?

Fabian Marcaccio

Artforum, 2003